I know I might be among the few that feel that way about his movies, they are in the purely entertaining bracket of movies, but there is no substance. This movie is the perfect example of style over substance in movies. Part of that I think that is the pull from EVERY single sci-fi movie ever.
You hate the people you are supposed to hate, like the people who are “good” and almost sympathize and understand the crusade from both points. There is a line where Saladin is asked what does Jerusalem means to him, and he says: "Nothing… and Everything."
We can see pictures and really put together what our actions are doing. So for the last 50 years or so, we can actually see what humans are doing which isn't something any other time in history. It is an interesting perspective that I will pay more attention to as time goes on.
The action is solid. I mean, Javier Bardem through a train at Bond. There were Komodo Dragons and a bomb fight in Scotland. Again this goes toward blending the old and new. You have lines referencing the old tech in the Aston. You see some of it come back when the gun firing.
This is where this game stands above most other games. The story is full of a simple premise, but filled with a history that pulls you in. I am one of the few people that think that the modern day is just as important as the historical period in the game and that is fine.
Over the course of three games, the gameplay just kept getting better. For the last one, it is very good. The movement is so much better. The aiming system is fair improved than any previous one and that makes the weapons more fun to play with. The movement has more options, but it's clunky.
I thought the show was incredible, with a gripping mystery, rich character arcs, and a fantastic cast. Rebecca Ferguson was outstanding, and Steve Zahn delivered an underappreciated, award-worthy performance. My wife and I were completely invested, and it was well worth the time.
It doesn't start well. I cannot imagine the amount of handcuffs they had on the creation of this show, and you can see it as they work through how to handle it. The actual event themselves is terrible in my opinion, but how they iterate through it really is one of my favorite parts of the show.
I remember reading this book the first time and just being pulled into the additional story of Bean vs. Achilles. Also, the idea of "What comes next" is much more prevalent in this book. You have a significant stream of thoughts about what happens after the war. Who will the kids belong to.
For context, the German experiences described in Operation Paperclip, were things that allowed the world to have air and space travel. I know that the experiments by the Japanese gave us a lot of Information about frostbite, but it is only alluded to and passively dropped rather than explained.
This is where Sucker Punch excels. Their sound design for the weapons, the attacks, the music, the sound of the wind. Outstanding. I want to take a second to talk about the music and the Shamisen. Listening to it and how it is displayed in the game is very well done.
He does a great job of explaining the events that are happening, and what the hurdles he faced were. I can only imagine trying to deal with the cops from dozens if not hundreds of different precincts. The hoops to jump through, and the temperaments must have made it more than a headache.